corrected 7-2 copy
By  JAY MILLER
Syndicated Columnist
      
      This is  undoubtedly the best exhibit on the Kid ever put together. It contains an  impressive array of memorabilia gathered from public and private collections  throughout the nation. It was all put together by Paul Andrew Hutton, a  
      The exhibit  includes the butcher knife Billy was carrying the night he was killed, the  pistol with which Sheriff Pat Garrett shot him and the carpenter bench on which  his body laid.
      Also included are  an extensive explanation of the Lincoln County War and its many characters,  information on Billy's life, Garrett's efforts to capture him, Billy's  correspondence with Gov. Lew Wallace who had promised him a pardon and a  wide-ranging display of pop-culture memorabilia from Hutton's personal  collection.
      The pop-culture  items include dime novels dating back to the 1880s, more recent works by noted  authors such as Pulitzer Prize winners Larry McMurtry and N. Scott Momaday,  movie posters from many of the more than 60 films portraying Billy, comic book  series from the 1940s and '50s, musical scores by artists ranging from Aaron  Copeland to Bob Dylan, Bon Jovi and Billy Joel. 
      Why was Billy so  popular? The exhibit explores that question too. He rose to the defense of  longtime locals in 
   Billy and his gang were out to  stop them and help the locals who were being wronged. They obviously went  outside the law to attain justice and thus his image as the Robin Hood of the  West. 
   The Kid wasn't like other outlaws,  robbing banks, trains and stagecoaches for the money. He went outside the law to  seek revenge and to aid the oppressed. 
   He was also a likable person who  loved to sing and dance. In 
   Because of his young age and  violent death, he somehow managed to capture the imagination of authors,  songwriters, screen writers and classical composers. In most of the exhibit  collection he is pictured as a hero.
   But sometimes he isn't. It is easy  to cast him in many different molds. During the '60s, he was the tragic,  tormented rebel with a cause. Had James Dean lived, he would have portrayed  Billy. During the cynicism of the '70s, he was dirty little Billy -- lazy,  degenerate and cowardly.
   Little enough is truly known about  him that he has been an Everyman throughout literature and entertainment. The  exhibit illustrates all these sides.
   The exhibit also covers the effort  by three sheriffs to dig up Billy, his mother and Billy's pretenders. On this  topic, the exhibit is myopic, treating only the pro-digging side. No mention is  made of those of us, including noted historians, forensic scientists and the New  Mexico Office of the Medical Investigator, who think the effort is a frivolous  wild goose chase. 
   But the digging effort has repopularized  our most famous New Mexican at a time when the Western craze in film and TV has  waned. This exhibit appears to be a result of that renewed interest.  
   The principals, who provided much  of the exhibit material are people who wanted to see the digging take place.  Deputy Sheriff Steve Sederwall, artist and True West magazine president Bob Boze  Bell and Hutton, himself, have been the major players in making this a great  exhibit.
   It is good enough that the state  departments of Tourism and Cultural Affairs are discussing the possibility of a  traveling exhibit. But don't wait for that. See it in Albuquerque before July  22.
MON,  7-2-07
JAY  MILLER, 3 La Tusa, Santa Fe, NM 87505
(ph)  982-2723, (fax) 984-0982, (e-mail)  insidethecapitol@hotmail.com

0 Comments:
Post a Comment
<< Home